And now it’s all this

I just said what I said and it was wrong
Or was taken wrong

Permanent Daylight Saving Time

July 17, 2026 at 12:48 PM by Dr. Drang

A couple of days ago, Casey Liss took a break from arguing about temperature scales to tweak me about the recent passage of the Sunshine Protection Act by the House. The Act would make Daylight Saving Time permanent, something Casey knows I disapprove of. A similar bill passed the Senate a few years ago, and Donald Trump has said he will sign this one, so there’s a decent chance it’ll become law. Let’s see what will happen if it does.

First, of course, there will be a lot of cheering from the people who moan about changing their clocks twice a year. Well, some of the moaners will cheer—the ones who wanted to eliminate DST and stay on Standard Time all year will grumble, but they’ll probably still be pleased to be released from that terrible burden.

I’m more interested in the consequences of permanent DST. You may recall my sunrise/sunset plots. Here’s one for Chicago in 2026:

The dirty yellow zones cover the DST period, which currently runs from the second Sunday in March to the first Sunday in November. A small change to the sunplot code extends that zone to the entire year:

I left the Standard Time lines in place for comparison, even though there won’t be any Standard Time if the Act becomes law.

As you can see, there will be a long stretch—more than two months—for which sunrise will be after 8:00.¹ I’m sure this won’t bother many of you who don’t do anything before 8:00, but there are lots of people it will bother. And I bet we’ll hear from them, even though a good chunk of them will be from the current cohort of clock-change moaners.

People living near the western edge of a time zone will have even more morning darkness. You may recall my visit to a Louis Sullivan bank in West Lafayette, Indiana, a couple of weeks ago. My photos showed the sun shining on the north side of the bank, which happened because the sun rises late in West Lafayette. (By “late” I mean in local clock time. You could make an argument that the Sun, like Gandalf, is never late. Nor is it early. It rises precisely when it means to.)

Let’s see the sunrise/sunset times in West Lafayette under permanent DST:

Basically five months for which the sun never rises before 8:00. And about seven weeks for which it doesn’t rise before 9:00. No one deserves that—not even Boilermakers.

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Floating Saturn calculations

July 16, 2026 at 9:14 PM by Dr. Drang

You’ve probably seen somewhere that the density of Saturn is less than that of water. If there were a bathtub big enough to hold it, Saturn would float. I think I first read this in one of Isaac Asimov’s collections of science essays. If you do an image search, you can easily find many illustrations of Saturn floating in water. Most of these show no more than half of Saturn under the water. Could that be right?

Because there were several things I should have been doing this afternoon, I decided to work out how much of Saturn should be underwater in these images. Even better, I’d do the more general problem: how much of any sphere would be submerged in a liquid if the density of the sphere is less than that of the liquid?

Here’s a cross-section of the problem:

We’ll say the sphere has a radius $r$, a diameter $d=2r$, and a uniform density of ${\rho }_s$. The density of the liquid is ${\rho }_{\ell }$. Because the sphere floats, ${\rho }_s<{\rho }_{\ell }$. The distance $b$ is how far the bottom of the sphere is below the liquid surface.

The mechanics of the system is simple: the mass of liquid displaced by the submerged portion of the sphere is equal to the entire mass of the sphere. That is,

$${\rho }_{\ell }{V}_b={\rho }_s{V}_s$$

where

$$V_b=\frac{\pi b^2}{3}(3r-b)$$

is the volume of the submerged portion of the sphere and

$$V_s=\frac{4}{3}\pi r^3$$

is the volume of the entire sphere. These expressions are usually given in terms of $r$, as I’ve shown here, but eventually I want to work out the value of $b$ as a fraction of $d$.

In fact, since I want to make a plot, which requires pure numbers, let’s nondimensionalize our variables by saying

$$\beta =\frac{b}{r}\mathrm{a}\mathrm{n}\mathrm{d}\rho =\frac{{\rho }_s}{{\rho }_{\ell }}$$

Putting all this together and doing a little algebra, we get

$$r{\rho }_{\ell }({\beta }^3-3{\beta }^2+4\rho )=0$$

Since neither $r$ nor ${\rho }_{\ell }$ is zero, the expression in the parentheses must be. In other words,

$$\rho =\frac{1}{4}(3{\beta }^2-{\beta }^3)$$

Since $0<\beta \le 2$, the right-hand side of the equation must be greater than zero, so we don’t have to worry about negative densities.

Typically, we’d want to calculate $\beta$ for a given value of $\rho$, so this equation isn’t in the most useful form. But it’s easy to plot values using this equation, even if we do want $\rho$ to be plotted on the horizontal axis.

I mentioned earlier that I prefer to show the depth $b$ as a fraction of the diameter, not the radius, i.e.,

$$\frac{b}{d}=\frac{b}{2r}=\frac{\beta }{2}$$

Here’s that plot, which comes out in a sigmoidal shape:

To figure out how much of Saturn would be under the water, we need Saturn’s density, which we can find on NASA’s old Saturn Fact Sheet, as archived on the Wayback Machine. It’s $687\mathrm{k}\mathrm{g}\mathrm{/}{\mathrm{m}}^{\mathrm{3}}$, which means our density ratio is 0.687. Looking that up in the plot, we see that the submerged portion of Saturn is between 60% and 65% of its diameter. A quick numerical solution gives us 62.7% of the diameter. Only 37.3% would be high and dry.

So those many illustrations showing more than half of Saturn’s diameter sticking out above the water are all wet.¹ Of course, just seeing that Saturn’s specific gravity was over 0.5 is enough to know that most of it is underwater, but now we can put a number on it.

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Plotting of and by students

July 9, 2026 at 9:54 PM by Dr. Drang

I saw this article at Inside Higher Ed this morning, guided by a Mastodon post from Techmeme. The title of the article is “Brown Professor Suspects Majority of His Class Used AI to Cheat,” so if you’re sick to death of reading about AI—pro, con, or caveated—don’t feel obligated to follow the link. I’m interested in a plot included in the article more than the article itself.

An economics professor gave his class a take-home midterm, and the grades on it were much higher than usual. He suspected the high marks came from the students using LLMs to answer the questions, so the final exam was done in class and the marks were generally much lower. Here’s the plot given in the article:

Image from Inside Higher Ed.

Let me start by saying I have no criticisms of the plot, just some comments about things that struck me.

First, the upper portion of the chart made me think the students, S1 through S59, were ordered according to their score on the final exam (the gray dots and figures). But as you go down the list, you soon see that that isn’t the case. After reading past the chart, I saw that the professor decided to throw out the results of the midterm and use the final exam as 80% of the course grade. Presumably, the students were sorted by their course grade.

More important, though, was the chart’s layout. When plotting a pair of scores for every student, the usual convention would be to have the students (the categories) laid out along the horizontal axis and their scores (the values) plotted on the vertical axis. This does it the other way around. There’s nothing wrong with doing it that way; it’s just unusual. Sort of like seeing a time series chart in which time is on the vertical axis. There can be good reasons to do it, but usually people don’t.

I first read the article on my phone, so I wondered if the layout was driven by the aspect ratio of most phones in portrait mode. In fact, since the chart is not actually an image but some sort of JavaScript thingy from Datawrapper. At least I think that’s what it is—I couldn’t select the chart as an image, and when I looked at the page’s HTML, I saw it was in an <iframe> element.

This made me wonder if the chart would flip to a more conventional layout if the aspect ratio of the browser were different. Turning my phone to landscape mode didn’t flip the axes, nor did opening the page on my MacBook Pro with a wide Safari window. Clearly the author of the article, Emma Whitford, thought it was best to have the students running down the vertical axis.

I decided to see what a more conventional layout would look like. I used the link on the page to download the plot’s data as a CSV file—a very thoughtful addition to the article and something I wish more authors did—and whipped out a quick plot in Matplotlib. Here it is:

Even in a wide browser window, it’s pretty tightly constrained, mainly because I have a width limit on the content portion of ANIAT (that’s to keep lines of text of reasonable length). If you click on the chart, it’ll open to the full width of your browser window, which will make it easier to peruse.

Here’s the code that produced the chart:

python:
 1:  #!/usr/bin/env python3
 2:  
 3:  import pandas as pd
 4:  import numpy as np
 5:  import matplotlib.pyplot as plt
 6:  from matplotlib.ticker import MultipleLocator, AutoMinorLocator
 7:  
 8:  # Read in the exam scores
 9:  df = pd.read_csv('scores.csv')
10:  
11:  # Create the plot with a given size in inches
12:  fig, ax = plt.subplots(figsize=(12, 6))
13:  
14:  # Bar colors are based on whether midterm was higher than final
15:  colors = ['#0571b0']*59
16:  for i in range(59):
17:    if df.Final[i] > df.Midterm[i]:
18:      colors[i] = '#ca0020'
19:  
20:  # Plot the scores as columns between the final and midterm scores
21:  ax.bar(df.Student, df.Midterm-df.Final, bottom=df.Final, width=.5, color=colors, zorder=10)
22:  
23:  # Set the limits
24:  plt.xlim(xmin=0, xmax=60)
25:  plt.ylim(ymin=0, ymax=100)
26:  
27:  # Set the major and minor ticks and add a grid
28:  ax.xaxis.set_major_locator(MultipleLocator(5))
29:  ax.xaxis.set_minor_locator(AutoMinorLocator(5))
30:  ax.yaxis.set_major_locator(MultipleLocator(20))
31:  ax.yaxis.set_minor_locator(AutoMinorLocator(2))
32:  ax.grid(linewidth=.5, axis='x', which='both', color='#dddddd', linestyle='-', zorder=0)
33:  ax.grid(linewidth=.5, axis='y', which='both', color='#dddddd', linestyle='-', zorder=0)
34:  
35:  # Title and axis labels
36:  plt.title('Final to midterm exam result ranges')
37:  plt.xlabel('Student ID')
38:  plt.ylabel('Score')
39:  
40:  # Make the border and tick marks 0.5 points wide
41:  [ i.set_linewidth(0.5) for i in ax.spines.values() ]
42:  ax.tick_params(which='both', width=.5)
43:  
44:  # Add a note
45:  ax.text(5, 25, 'Midterms were higher than finals except for Student 22', va='center')
46:  
47:  # Save as PDF
48:  plt.savefig('20260709-Midterm and final exam results.png', format='png', bbox_inches='tight', dpi=150)

A few comments on this:

• I didn’t put dots where the midterm and final scores were. The ends of the columns do the job (but see below).
• I didn’t include the test scores in the chart. Although that can be helpful in situations in which a data file isn’t provided, my tendency is to let tables be tables and charts be charts. A chart should give you a feel for the data without including the numbers themselves. I don’t always follow this principle, and it doesn’t bother me when others don’t—as long as the numbers don’t detract from the plot.
• I didn’t label every student. It makes the horizontal axis too busy and doesn’t help the reader.
• I changed the color of the column for the one student who got a higher score on the final than the midterm and also added an explanatory note. This may be too cute. Colored dots for the two scores, as in the IHE chart, are certainly more obvious, even though they make the chart more cluttered.
• I got the two column colors, #0571b0 and #ca0020, from ColorBrewer.
• If you run the code yourself, you’ll find ticks and labels for nonexistent students 0 and 60. Rather than adding a bunch of Matplotlib code to get rid of those ticks and labels, I opened the PNG file in Acorn and erased them. I don’t consider this cheating.

Overall, I think my chart works, and I had fun thinking about how to make it. But it’s not better than the original.

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Old icons

July 7, 2026 at 9:30 PM by Dr. Drang

There’s been a lot of talk lately about Mac application icons and “squircle jail.” Inspired by this post from Paul Kafasis on the Rogue Amoeba blog,¹ many Mac-adjacent people have taken up his cause to “Free the Icons.”

I agree, but Apple’s 50th anniversary has gotten me thinking a lot lately about the early days of the Mac, so it’s only natural that my mind shifted to the highly constrained icons Mac applications had back then.

In those days, icons were 32×32 pixel images, and every pixel was either black or white. The classic original Mac application icons were the ones for MacWrite and MacPaint.²

You can see that Apple liked the idea of app icons being a tilted rectangle with some image inside the rectangle to indicate what the app did. The hand was Apple’s way of telling you that this icon was for doing things, and the rectangle was tilted to match the orientation of the hand. (If you were left-handed, this was just another injustice inflicted on you by a cruel right-handed world.)

Document icons were typically upright rectangles with dog-eared corners and similar designs inside the rectangle—no hands because documents don’t do anything. But we’re not here to talk about document icons.

Other Apple app icons that fit this pattern were the ones for MacDraw and HyperCard:

The HyperCard icon was a bit of a departure, in that it had a stack of rectangles, but the idea was the same. There was no image on the top card of the stack, probably because there wasn’t enough room.

Many of the complaints about squircle jail are about the loss of icon elements that “stick out” from the rest of the design. As you can see, this idea was there from the very start; the hands stick out from the tilted rectangles.

Most other software publishers followed Apple’s lead. Here are the icons for Aldus PageMaker and QuarkXPress:

Aldus had a slightly different idea for what the hand should look like.

It’s important to recall that the Mac didn’t have a Dock back then. You launched an app by finding its icon on your disk and double-clicking.³ The icon always had the name of the app underneath it, which was good. If you had both PageMaker and XPress, I imagine it would be easy to confuse such similar icons in a Dock.

The folks at THINK took a slightly different approach for their Pascal editor/compiler. They kept the idea of hands, but because nobody programs with a pencil, they put two hands on a keyboard and showed them generating a flowchart:

Other publishers abandoned either the hands or the tilted rectangle or both. As people got more used to working with Macs, these clues for what’s an app and what isn’t became unnecessary, and icon design became less constrained. Even Apple gave up on them for utilities like Disk First Aid and Font/DA Mover:

And there was, of course, my favorite Apple icon of this era, the one for ResEdit:

This is what old-timers mean when they talk about Apple and whimsy.

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